Louise Penny is known for her murder mysteries, specifically those involving Chief Inspector Armand Gamache. The Beautiful Mystery is book number eight in the series and for faithful readers there are several disturbing events which could easily be upsetting for those who’ve developed a bond with the central characters. As a newcomer, however, I had no expectations, although I was able to catch the gist of who was who and what was what from the narrative. References to former books in the series filled in the blanks, peaking my curiosity to perhaps go back to the beginning, especially since the first book, Still Life, is sitting on my counter (with a varied bunch of other titles) waiting to be read.
However, this is the one my Book Club picked, so this is the one I’ll discuss.
While the mystery comprises the predominant role in the plot, the interactions between the key players are a major component of the story. Inspector Gamache and his assistant Jean Guy Beauvoir head to a remote Gilbertine monestery, Saint-Gilbert-Entre-Les-Louis on an Island in Quebec, to try to determine who killed Brother Matthieu, the choir director. Not just any choir director, but the man behind the CD of chants which took the world by storm. The once unheard of Cloister, now flush with enough cash to do some modernizations, became famous after their Gregorian Chants hit the top of the charts, upsetting the order of monks who willingly maintained a vow of silence. Which one of the hand selected two dozen monks would want to kill the rector who inspired such beauty? Even with the order of silence lifted, Gamache has a difficult time getting the monks to “talk”, but slowly he determines that appearances can be deceiving noticing that the calmness and serenity in this ancient order is somewhat of a facade.
Complicating matters is the arrival of Gamanche’s nemesis, Chief Superintendent Sylvain Francoeur, the head of the Surete de Quebec, who likes to play mind games, successfully instilling anger and doubt into the minds of his subordinates. Mocking the detectives’ lack of success, he holds back the autopsy report indicating the true murder weapon which puts a different slant on the dead body found in the Abbot’s private garden. The best lead evolves around a weathered vellum full of unusual neumes and nonsense phrases in Latin which the rector was clutching. These neumes, a precursor of musical notes, indicate a haunting melody different from the normal chants. Their significance is another part of the mystery which borders more on a psychological drama than an action packed plot. It’s not until the last few pages that events begin to quickly happen leaving the reader with more than a few questions and the urge to read Mystery #9, How the Light Gets In, to discover how Penny resolves the conflict between the main characters. Four stars.