It’s lucky that The Mad Countess (Gothic Brides, #1) by Erica Monroe was a novella because there wasn’t too much of a plot to keep our interest. It’s my understanding that Hestia, a local witch, claimed to be the daughter of Lord DeLisle and placed a curse on his two daughters when he refused to accept a patently false paternity. First Aunt Evelyn Brauning and then Lady Claire Deering’s own mother went mad. Madalane was placed in the Ticehurst Asylum whose treatment ended with her unintended fatality. The loss affected both father and daughter with dad removing himself from society as much as possible and Claire being dubbed the Mad Daughter. She accepts this label convinced that she can never marry or have children because she is destined to meet the same fate as her mom. Theodore Lockwood, Earl of Ashbrooke, her childhood playmate, has secretly been in love with Claire, and follows her to Keyvnor Castle in Cornwall for the reading of Lord Brauning’s will. She reveals her inner most thoughts and he tries to logically explain that her fears are nonsense, but some supernatural phenomena convinces him that perhaps there’s more to the story. Together that find a way to reverse the curse so they can be together.
Teddy has remained a virgin saving himself for his beloved Claire. After getting caught together in a storm in the middle of a maze, Claire decides to allow herself one moment of passion as long as Teddy takes precautions. He kind of knows what to do and gets some sort of satisfaction, but it certainly didn’t seem to set off any major fireworks for her, and honestly, it wasn’t too exciting for the reader either. His method of birth control also left much to be desired.
The best part of this Regency Romance was the ceremony of the Bocka Morrow Coven of witches who want to undo the harmful spell which the now deceased Hestia inflicted on the innocent sisters.
The plot moved forward mainly through the reflections of the two main characters, often repetitive. Better to have used the space to develop the secondary characters (or give some more depth to Clare and Teddy), many who I assume will be players in future novels in the series. There were a few apparitions who make a brief appearance that also might be of importance later. Referring to the movements of a few unexplained ghosts and revealing a raving woman with dementia locked in the attic does not make this a gothic novel, especially when these random acts are disconnected from the central story.
Luckily the book was short enough for a quick read without getting too annoyed by Monroe’s style of employing numerous means of expressing the same sentiment. This title was previously included in the Mystified Anthology.
Three stars and a thank you to Netgalley for providing this ARC in exchange for an honest review.